Introduction to Post-Tonal Theory
For undergraduate/graduate-level courses in Twentieth-Century Techniques, and Post-Tonal Theory and Analysis taken by music majors.
A primerârather than a surveyâthis text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasising hands-on contact with the musicâthrough playing, singing, listening, and analysingâit provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the âclassicalâ pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
Introduction to Post-Tonal Theory
For undergraduate/graduate-level courses in Twentieth-Century Techniques, and Post-Tonal Theory and Analysis taken by music majors.
A primerârather than a surveyâthis text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasising hands-on contact with the musicâthrough playing, singing, listening, and analysingâit provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the âclassicalâ pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
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For undergraduate/graduate-level courses in Twentieth-Century Techniques, and Post-Tonal Theory and Analysis taken by music majors.
A primerârather than a surveyâthis text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasising hands-on contact with the musicâthrough playing, singing, listening, and analysingâit provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the âclassicalâ pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
